Standard set
Intermediate (Grades 3-5)
Standards
Showing 46 of 46 standards.
MU.I3-5.SP1
Students will sing or play on instruments a varied repertoire of music, alone or with others.
MU.I3-5.RN2
Students will read and notate music.
MU.I3-5.CM3
Students will create music.
MU.I3-5.LA4
Students will listen to, analyze, evaluate, and describe music.
MU.I3-5.HC5
Students will relate music to various historical and cultural traditions.
MU.I3-5.SP1.1
Sing and play instruments with acceptable tone quality, pitch, and proper posture.
MU.I3-5.SP1.2
Sing and play a melodic ostinato
MU.I3-5.SP1.3
Play two chord songs on chording instruments (e.g. autoharp, piano, guitar, dulcimer, etc.) as accompaniments to classroom singing
MU.I3-5.SP1.4
Play chords or chord roots to accompany a three chord song as accompaniment to classroom singing
MU.I3-5.SP1.5
Watch the conductor
MU.I3-5.SP1.6
Respond to the conductor’s cues for expressive elements and tempo changes
MU.I3-5.SP1.7
Sing two part rounds
MU.I3-5.SP1.8
Sing three part rounds, partner songs, and descants
MU.I3-5.SP1.9
Demonstrate an awareness of phrase by singing and playing each as a complete thought
MU.I3-5.SP1.10
Demonstrate the use of introduction, interlude, and coda
MU.I3-5.SP1.11
Develop an ever increasing basic repertoire of Catholic liturgical or traditional worship music
MU.I3-5.SP1.12
Use their instruments to accompany a worshiping assembly
MU.I3-5.RN2.1
Read, notate and perform rhythmic patterns using quarter notes, paired eighth notes, quarter rests, half notes, half rests, whole notes, whole rests and four sixteenth notes.
MU.I3-5.RN2.2
Identify time signatures in music performed
MU.I3-5.RN2.3
Identify and perform a notated melody using treble clef notes
MU.I3-5.RN2.4
Demonstrate the ability to follow and perform a notated rhythmic pattern
MU.I3-5.RN2.5
Demonstrate through movement the A section in rondo form
MU.I3-5.RN2.6
Identify and respond to directional words and symbols for form and dynamics
MU.I3-5.RN2.7
Name the notes of a musical example using letters, syllables, and/or numbers
MU.I3-5.RN2.8
Demonstrate how meter effects beat by inserting bar lines into a notated musical example
MU.I3-5.RN2.9
Use Catholic worship repertoire as part of their basic music reading and notating curriculum
MU.I3-5.CM3.1
Create a short composition that shows contrasts in tempo, dynamics or timbre
MU.I3-5.CM3.2
Create and notate an original eight measure composition for a melodic instrument
MU.I3-5.CM3.3
Notate and perform a two measure pattern when given a dictated rhythmic pattern in duple and triple meter
MU.I3-5.CM3.4
Create an original sound composition and illustrate it using visuals (e.g. hand movements, dance, pennants, etc.)
MU.I3-5.CM3.5
Develop the ability to create a melody to common liturgical responses such as “Alleluia”, “Amen”, and Psalm Antiphons
MU.I3-5.LA4.1
Listen and respond to the music of various composers and/or musical performances.
MU.I3-5.LA4.2
Match the sound of instruments, played alone or with simple accompaniments, with the picture of the instrument and the name and family of the instrument
MU.I3-5.LA4.3
Distinguish the principal theme in theme and variation form and compare the variations as a contrast to the theme
MU.I3-5.LA4.4
Describe the feelings experienced when listening to a musical selection and explain the musical elements which support those feelings
MU.I3-5.LA4.5
Determine if music is organized using major, minor, chromatic, or pentatonic scales
MU.I3-5.LA4.6
Recognize and name the different vocal classifications (SATB) when given an example of two-part or four-part vocal music
MU.I3-5.LA4.7
Identify strengths and weaknesses of specific musical settings used in worship. Discuss why specific works are effective or appropriate for worship
MU.I3-5.HC5.1
Sing, play, and move to music from different traditions and cultures.
MU.I3-5.HC5.2
Sort instruments into families, using pictures of instruments from varied cultures
MU.I3-5.HC5.3
Demonstrate appropriate audience behavior
MU.I3-5.HC5.4
Be familiar with ethnic instruments that are representative of various cultures
MU.I3-5.HC5.5
Identify the ways different instruments are combined to create various performance ensembles
MU.I3-5.HC5.6
Compare the music and culture of two different historical
MU.I3-5.HC5.7
Distinguish between liturgical music composed by contemporary composers and those of earlier periods, as well as various world cultures
MU.I3-5.HC5.8
Explain the effect on the worshiper of the composers’ choices with respect to melodic contour, rhythm, harmony, dynamics, tempo, timbre, or other expressive qualities
Framework metadata
- Source document
- Diocese of Green Bay
- License
- CC BY 4.0 US